From the same period, but of more ancient origins, are Casa Barnaba Manin, Casa Calligaris Foffani, and Casa Bosco. The current church of San Giorgio Martire, located on the main street of the village, also dates back to the first half of the 18th century and chose a sober Baroque style, maintained for both interiors and exteriors. The building, with a much older history dating back to the Lombard era, houses a 16th-century baptismal font attributed to Carlo da Corona, a canvas by Osvaldo Gortanutti from 1690 depicting the Adoration of the Magi, and an 18th-century banner used for processions. Incidentally, the other church around which Clauiano developed, also from the Lombard period and dedicated to San Martino, was demolished in 1954. In the mid-19th century, Clauiano reached its peak development, and important families like the Manin, Mattioli, de Checo, Bassi, Bearzi, and De Vit built homes with large rustic buildings. They were the ones who gave a boost to the village's economy by building a spinning mill, given the presence of numerous mulberry rows in the area, whose leaves were the food for silkworms. Today, the inhabitants of Clauiano show attention to their history by paving the streets with piasentina stone or pebbles from the nearby Torre stream, replanting those mulberries that the area was rich in and that were an excellent source of sustenance until a few decades ago, enhancing the area in front of the church of San Giorgio, restoring the exposed walls of the houses, the ancient frescoes and paintings, the sundials, the loggias, and the numerous entrance arches to the houses. An example of the same care is the uncovering of the design of the old pond in the square. There, rainwater was collected to water the animals and wash clothes. Today, the blue of the water has been replaced with the green of the grass, maintaining the sincere rural flavor of the village. The rural church of San Marco. Archaeological findings indicate a small construction already in the Roman period. The building is from the 14th century, with frescoed interiors, an apsidal basin in stone, a masonry step functioning as a bench all around the walls, and a 16th-century altar, a legacy of restorations following the passage of the Turks.

The Name The toponym "Clauiano," unlike many others, is of immediate interpretation: it dates back to the Roman era and refers to the name of the owner of a significant estate in the area of the current village, called Claudius or Clavilius, from Clavius.